A Visit to Castle & Key: A Photo Essay, pt 2

Last week, I posted part 1 of my photos of the Castle & Key distillery, FKA The Old Taylor Distillery. The photos were of the World’s Longest Rickhouse and some other buildings on the site that were not yet restored. This week, the photos will be of the distillery itself (and associated buildings), the springhouse and the the dam.

For further reading on this building and Castle & Key check out what friend-of-the-blog Chuck Cowdery has had to say about Old Taylor/Castle & Key here, and posts on Old Taylor’s sister distillery, Old Crow here and here.

Other friend-of-the-blog Fred Minnick takes better pictures than I do. He’s been to OT/C&K several times. Here’s his visits from 2015,  and 2013, just before the current owners purchased the property.

Also check out the Lipmans’ piece about Old Taylor and Old Crow from 1999 (with a 2015 update).

Without further ado…

 

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The iconic springhouse. 
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Columns holding up the springhouse roof. All of the springhouse is original, except for that roof, which has been replaced.
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The iconic view of the iconic key hole shaped springhouse. The pool is ten feet deep. The water looks murky but is perfectly clear when drawn out. Minimal filtration is needed for use. The water is high in calcium and magnesium. The benches now placed around the pool were found inside it!
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The top of the key with the new roof visable. The springhouse is popular for wedding, prom and other photos.
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The well house between the springhouse and the dam on Glenn’s Creek.

I took a short video of the dam and the well house too.

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Entering the boiler building.
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New skylight in boiler building, to eventually become a visitor’s center. The roof was repaired with materials recovered from other buildings on the campus.
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Where the boilers was.
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The front entrance to the distillery building, aka the castle.
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The tower by the main gate, for defensive purposes, obviously.
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The front door.
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Original hardwood floor inside the entrance.
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Fermentation room. White corn is used for the bourbon.
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Heating coils inside the fermenter.
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The still column behind our guide. They’re distilling a lot already about 20 barrels worth a day. They have capacity to go up to 60 a day. They’re doing a lot of contract distilling too. According to our guide, 70% of their output is contract, 30% for themselves. He said it was “no secrets” contract distilling, at least on their end.
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The pot still, thumper, doubler, whatever it’s called. The second part of the still. Their bourbon enters the barrel at 107 proof, rye at 118 proof. I should have mentioned it earlier but they will be using barrels from the Speyside Cooperage in Jackson, Ohio. They swear by them. Laser cut, never leak, apparently. They use numbers 3 and 4 char.
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Distillery building on the right, on the left is the building that was the lab, now serves as an office (upstairs) for Master Distiller Marianne Barnes and a bride’s room (downstairs).
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Walkways from the distillery building to the old lab.
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Second floor walkway to old lab, with Old Taylor stone.
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Same stone as above, from a different angle. Construction began on the distillery building in 1887 and it took twelve years or so to complete, according to our guide. That stone is visible from the road, but before the restoration, it was overgown with vines. I have a picture of this somewhere, but I haven’t been able to track it down.
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Panoramic photo of the beautifully sunken garden behi
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View from the garden looking back at the castle and the old lab.
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Opposite view with Warehouse E on the left.
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The fish pond at the center of the garden.
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Closer view of the pond. When the sunkern garden was being restored, the pond was called “the snakepit”. It was meant literally.
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View of the old office building across McCracken Pike. The roof has collapsed entirely. Eventually, Castle & Key hopes to restore this building too. Hope you enjoyed the photos! Peace.

A Visit to Castle & Key: A Photo Essay, pt. 1

Back when I first started going on annual/semi-annual pilgrimages to Kentucky, I heard tale of two abandoned distilleries on McCracken Pike, near Frankfort Kentucky and even nearer to the Woodford Reserve (aka Labrot & Graham, aka Oscar Pepper) distillery. To get there, you turned left out of the Woodford reserve parking lot and kept going until you thought you were lost in the woods and needed to turn around. Then you went around a bend and a giant castle-like building virtually lept out of the woods at you. That was the Old Taylor Distillery (shuttered in 1972). Just a little down the road was the Old Crow distillery which was also interesting in its own right, but not nearly as impressive as the Castle, as it was called. You could park across the road at the collapsed office building if you wanted to take a look at the castle, but you had to look out for The Guy in the Red Truck, who was guarding the place. The Guy in the Red Truck was not a monster, though, and you could reason with him and he might let you get close and take pictures. He would also show you the grave of a Revolutionary soldier that he preserved nearby.

The Castle was wild looking and a little sad and occasionally spooky like in this picture I25784_422752045399_76845_n took on a rainy day in 2010. “Legit” whiskey bloggers (i.e. actual journalists) would occasionally get a chance to wander around and take pictures. At the time, we bourbon lovers all wondered what it would take to restore the building. The conventional wisdom was that the building would be too expensive to ever restore, let alone reuse.

We were wrong. The Old Taylor Castle is now being restored, thanks to the partners who own what is now called the Castle and Key (after the key shaped spring house) Distillery. In 2014 it was purchased for less than a million dollars from an Atlanta investor group that was selling the distillery buildings for scrap. The destruction was stopped and restoration was begun. The invester group managed to snag Marianne Barnes, rising star at Brown-Forman (makers of Old Forester, Early Times, Woodford Reserve and Jack Daniels), to be their master distiller. The intention is to produce gin, vodka, rye and bourbon. The Bourbon, at least, is going to be released as a mature, bottled-in-bond product.

In late April of this year (2017) a group of folks from StraightBourbon.com including yours truly, Mrs. Sipology Blog and friends of the blog Amy and Pete were graciously allowed a tour of the campus, even though it’s not open to the public yet. Here are some pictures I took. I hope you like them.

For a concise, illustrated history of the property check out http://www.distillerytrail.com/blog/castle-key-distillery-rising-ruins-old-taylor-distillery-narrowly-escaped-wrecking-ball/

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Botanical garden for gin on the site of a collapsed rickhouse near the parking lot at the back gate.
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Other side of the botanical garden. “World’s Longest Rickhouse” in background.
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Walking over to to World’s Longest Rickhouse (WLR), completed in 1917 with a capacity of 32,000 barrels (quite large for a rickhouse). It’s their main warehouse at present. Currently mostly occupied by other people’s whiskey (the rickhouse is highly regarded and a source of income for them), but C & K is now aging their whiskey in there too.
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The front tower of the WLR with tracks for rolling barrels around.
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My wife Liz peaking into the WLR at one of the 13,000 barrels currently stored there.
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Looking up at the WLR.
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Walking down the broad pathway flanked by old buildings over to Warehouse E (center right) and the distillery building (center).
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My friend Brian and I snuck off into one of the buildings on the side and discovered this picture of the castle.
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Same building as above. Strange but cool green glass panels.
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Building with barrel tracks going over the road. According to our guide, locals tell of when barrels would pop off the track onto the road for enterprising folks to recover.
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Toward Warehouse E
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The concrete monster that is Warehouse E.
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Inside the entrence to Warehouse E, which I dubbed “World’s Creepiest Warehouse”. Cave-like enviroment. Looks like a set out of one of the Blade movies.
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Taylor used brass bands for his barrels so Castle & Key sometimes use them for special ones.
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Walking over to the distillery building under the crenellated water tower.
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Had no idea my ex worked here! But seriously folks, more pics, including the castle itself, the springhouse, sunken garden and more next week!

 

Ask SKU Anything

SKU of SKU’s Recent Eats recently had a fun post in which he answered any questions from any readers of his who wanted to ask. I thought this might be a fun thing to do for my blog too. On the other hand, I have fewer readers than he does, and when I’ve tried things like that in the past the response has been almost nonexistent. So to avoid embarrassment, I’m going to answer the questions that SKU’s readers asked him.

As I was writing this, I learned that SKU is unfortunately ending his long running blog, so I figured what better way to pay tribute to him than to rip him off? After all, I’ve been doing that for a very long time.

So without further ado,

Years ago, you wrote an article for one of the whiskey magazines titled “Craft Whiskey Sucks.” Now, many years later, would you write the same thing? Do you still think it mostly sucks? 

I didn’t write that article, SKU did, but I will answer the question. Yes, they still suck, almost all of them. The best ones have reached the level of “not bad” but they’re still almost entirely awful, overpriced garbage. Ones that have reached “not bad” include Union Horse Reunion Rye, most of Journeyman’s output, Grand Traverse Distillery’s bourbon and ryes and a handful of others whose names escape me right now.

Sku – at what point does a whisky that you own become too expensive that you don’t open the bottle? For instance, I have a 2012 FR Small Batch that I’m told now sells for over $700 – that seems a ludicrous amount to spend on a bottle, and I wouldn’t spend that amount on it and I’m happy I got it at retail back then. But now I find that decision to open is harder and harder, and I might not ever.

I understand the desire to cash out while one can, but the only whiskey I own that comes close to that is Four Roses 2009 Mariage (what I still think is the best bourbon ever made), but I will eventually open and drink it. It might be twenty or thirty years from now, but I am drinking it.

Do Armagnac houses/domaines have recognizable profiles? For example are there specific differences in notes between Chateau de Gaube and Domaine de Busquet that you could expect to find despite the vintage?

Sure, why not.

How many spirits bottles do you tend to have in your personal collection at any given time (more or less)? of that group, what percentage consists of whiskey v. brandy v. other spirits at this point? do you have any favorite spirits categories other than whiskey or brandy (e.g. mezcal or Jamaican rum)?

-JCR 

I don’t know. I’m guessing between 50-100. That’s a big range, I know. The total number is smaller than most people I know who have been in the hobby for as long as I have. I’m not really a hoarder when it comes to spirits. I like to always have certain things on hand and I like variety, but I’m not the guy buying a case of every BTAC every year for fifteen years or whatever.

I like every spirit, pretty much. Most (by a long shot) of my collection is bourbon but I have a growing stash of brandy and always make sure I have multiple bottles of rye, Canadian whisky, Tequila/Mezcal, rum, and Single Malt on hand.

  1. in your opinion are micro-distillers pricing their bourbons too high?
  2. is the bourbon renaissance a bubble? 2a. if it is a bubble how bad will the pop be
  3. are “tech” whiskies like cleveland viable? that is, in the long run, can a “whisky” that’s aged for an hour really compete on price/quality with a bourbon that’s aged for 10 years? in fact, i have seen cleveland priced higher than eagle rare and laughed all the way home.
    regards,
    -dan

1. Yes. 2. No, but there is a bubble on the high end being driven by the secondary market. 2a. I could see a 20-50% drop in price for top shelf tater bait. 3. No. No, that will never happen. If the bubble bursts these operations will be among the first to go under. They’re all examples of the idiocy of the cult of #innovation in late capitalism. “Tastes like shit” becomes “Disruption!” Need to make a better whiskey? No, we just need to “educate” consumers that they should believe our marketing and not their own lying tastebuds. The angels don’t like being cheated.

Simple: 100 duck sized horses or one horse sized duck?

WTF

How does it feel to be the dean of American whiskey bloggers? How much longer do you think you’ll keep going? Do you think blogging about whiskey is still relevant?

I’m not going to lie, it feels really good. I’ll keep posting until they pull the laptop out of my cold dead hands. Whiskey Blogging is only relevant when Dave Driscoll does it.

  1. What is the next big thing in spirits and why is it Armagnac?
  2. Do you believe that dusty bourbon/rye has a familiar profile that you don’t find in today’s products, i.e. “dusty notes”? If so, do you believe that’s due to bottle conditioning or some other factor(s)?
  3. Given the current boom and scarcity of anything allocated or limited edition, are there bottles you regret passing on years ago that you wish you would have bought more of? -signde 

1. Rum is the next big thing in spirits and it always will be. Rum’s problem is also part of what makes it interesting. It isn’t a distinctive product of any one country. Despite what our libertarian friends often say (assuming libertarians have friends for the moment), good state regulation can be beneficial to a spirit. It ensures consistent quality and structures an industry in such a way that makes it easy for enthusiasts to explore and understand. The French wine and brandy regulations are good examples of this as are bourbon and Scotch regulations in the US and UK respectively. No regulatory regime is perfect, but those are mostly good. Example of bad or mediocre regulation are Canadian Whisky, which is governed by a patchwork of regulations on the provincial and national levels and American wine, which has at once too many and not enough appellations, among other problems. Ironically the Canadian VQA system is better than the American system for wine and much better than the Canadian system for whisky!

Rum’s diversity makes it hard to explore. The rewards are great for those with the patience to do so, but it requires time and focus that few people have. There are dozens of countries regulating the manufacture of Rum. Some are good and some are bad, but they’re all different. There’s little consistency from country to country or label to label, even with things as seemingly straightforward as age statements. It’s hard for a newbie to know what she or he is getting when grabbing an unfamiliar brand from the shelf.

Can this be overcome? Maybe. One way to address these problems would be for all the rum producing countries (or at least the big ones) to come together with reps from the countries that are big markets for rum (US, EU, etc) in some kind of rum summit and come to an agreement on consistent labeling and marketing of rum worldwide. In the meantime, writers like Fred Minnick and Josh Miller are doing a great job of educating consumers to help us get over the many obstacles to rum connoisseurship. So will rum ever arrive? I don’t know but I hope so!

I think brandy might be the next thing after rum or at least concurrent with it. Cognac is already ubiquitous and well positioned for a boom as are lower shelf American brandies like Christian Brothers or E & J. Where the biggest expansion may come is in Armagnac and craft American brandy. Too many craft distillers in the US are trying to ride the bourbon and rye wave right now just to stay afloat instead of looking to the future. Brandy is going to be a part of that future. Instead of seeing a crowded market and saying “me too!” distillers in places like Michigan, New York and Southern Ontario should be seizing the opportunities presented by the abundance of fruit in their areas and distilling brandy now so that when the brandy wave hits they will be ready with aged product. As it is, producers in Indiana and Kentucky are getting the better of the Northern fruit belt distillers, often with northern fruit! Brandy should be a part of the distilling identity of Northeastern North America.

Now what was I saying?

2. I do believe that bottle conditioning is a part of it, but never forget that most of these “dusties” were glut era whiskey that was much older than what the label said and older than what is being bottled today.

3. I once had the opportunity to buy half a case of Russell’s Reserve 101 for $35 a bottle. It seemed expensive to me at the time, so I just got two bottles. That was a mistake. I also feel like I had opportunities to stock up on Weller 12 and Pappy 15 that I should have taken but didn’t because, hey that’s really expensive and there’s always next year!

Why “Sku”?

SKU likes to pretend that his initials are S-K-U but he was actually nicknamed SKU after something that happened that happened when he was a toddler. His parents were shopping at a Target store when he wandered off and they couldn’t find him. They searched the store until they heard a squeaky voiced teen stocktaker shout out, “What’s the SKU for THIS?!” They ran over to the aisle, and there was baby SKU sitting on a shelf. Everyone laughed and laughed.

We often talk about the downsides of the bourbon boom? From your perspective, what are some of the positive aspects?

The positive aspecst are more knowledgeable consumers, Four Roses available stateside (I’ve been in it long enough to remember when it wasn’t!), more single barrel selections, more barrel proof iterations, less gas money spent traveling to Kentucky to buy my favorite bottles because Michigan carries almost everything I want, improvements and expansions at the Kentucky distilleries, the possibility of new, good medium sized distilleries coming online, Stitzel-Weller reopening to visitors, the restoration of the Old Taylor Castle, the list goes on. As annoying as things like dropped age statements and the secondary market are, this is a pretty good time to be a bourbon drinker, on the whole.

Does MAO still make you swoon? -Jealous in Jersey

More of a Trotsky guy myself.

 

SKU’s Recent Eats was one of the first independent bourbon blogs by an enthusiast who wasn’t also a whiskey writer or some guy pretending to be a journalist (we all know who I’m talking about). He’s always been a pretty laid back, honest and forthright guy whose work was a big inspiration to me. Cheers Steve!

Head to Head, Mint Julep ed: Old Forester vs Maker’s vs Mint Julep Elixir

OF= Old Forester Mint Julep, MM= Maker’s Mark Mint Julep, Mint Julep made with Old 20170505_114519Fitzgerald Bottled-in-Bond and True Kentucky Mint Julep Elixir=MJE

Maker

MM: Maker’s Mark, Loretto, Kentucky, USA (Beam Suntory)

OF: Early Times/Old Forester, Louisville, Kentucky, USA (Brown-Forman)

MJE: Town & Country Specialty Foods, Bardstown, Kentucky, USA

ABV

MM: 33%

OF: 30%

MJE: N/A (made with 50% ABV bourbon)

Price

MM: $36/1 liter (The Party Source)

OF: $28/1 liter (Michigan State Minimum)

MJE: $5/5 oz bottle (makes 30 drinks with 2 oz of bourbon accord to label). Works out to around $28 a liter.

Head to head tasting

Tasted in julep cups with crushed ice

MM: Mint strong up front, then fades to bourbon sweetness and iced tea. Pleasant if a little chewy in the finish.

OF: Fruity up front. Not as bitter, but sweeter. Old Forester bite in mid palate fades to a sweet, slightly minty finish.

MJE: Practically all bourbon, even after adding more ice and syrup to make up for high proof. Syrup lingered at the bottom of the cup even with extensive stirring before pouring over ice.

The Liz Factor

My wife is a lover of the Maker’s Mark Mint Julep and always makes sure we come home from Kentucky with a bottle every spring. She tasted MM & OF blind (when I offered her one made with the syrup she politely declined having tried it before) and to her surprise found that she preferred Old Forester even though she liked both. She found MM to have an unpleasant aftertaste.

Parting words: I don’t drink a lot of pre-made cocktails but when we found both the Maker’s Mark and Old Forester Mint Juleps at Liquor World in Bardstown, Kentucky last weekend I thought a head to head would be a fun idea, since Liz enjoys the MM so much. I prefered MM over OF myself, but I’m not sure it’s worth the extra $8 or so. MMMJ has gone off the Michigan list for some reason so I couldn’t do an apples to apple comparison on price unfortunately. The mint julep syrup just didn’t cut it at all and reminded my why we’ve had the same little bottle sitting on our shelf for years. I’ve made my own mint syrup in years past and that worked a little better. None of these are a substitute for a well made home or bar Mint Julep.

Both Maker’s Mark and Old Forester Mint Juleps are recommended, though OF is a better bargain. MMMJ and OFMJ are only available in stores around Kentucky Derby time in late April and early May. True Kentucky’s Mint Julep Elixir is not recommended. Brown-Forman also makes an Early Times Mint Julep which is awful and highly not recommended. It is what is served in the stands at the Kentucky Derby if one orders a julep without specifying a bourbon.

 

Knob Creek Limited Edition, 2001

Maker: Jim Beam, Clermont, Kentucky, USA20170428_091830

Age: 14 y/o (distilled 2001, bottled 2016)

Batch: 1

Proof: 100 (50% ABV)

Michigan State Minimum: $130

Appearance: Very dark, burnt caramel color. Slow, sticky necklace.

Nose: Classic grassy KC nose. Alcohol, cut grass, woodruff, allspice, dried orange rind.

Palate: Burn, cayenne, vanilla custard, orange, chewy oak.

Finish: Hot & herbal with big oak.

Parting words: Long time readers will know that I  never buy whiskey this expensive and that I whine about value even for bourbons as cheap as $20. So why did I buy this one? I don’t know. It was available for one, and I love Knob Creek for another. It had also been a couple months since I had purchased any spirits so I figured it was in the budget.

Let me start off by saying that Knob Creek 2001 is a good bourbon. It’s certainly the best Knob Creek I’ve every had. It has the big velvety tannins one would expect from a bourbon of this age. It’s firmly within the standard KC profile with pleasant spicy and herbal aromas and flavors. If this were a bottle of the old 9 y/o or of the single barrel KC, I would be very impressed. As a $130 limited edition, I’m underwhelmed. For that kind of cash, there needs to be more going on. More candy, more fruit, more of something. It certainly needs more proof. I’m not sure why this wasn’t released at barrel proof (to enable a broader release, maybe?) but one hundred proof isn’t good enough for a $130 limited edition when the same line has a single barrel at 120 proof at $50. If you have the room in your budget to blow $130 on a good bourbon that isn’t great, then you might like this. If you’re a normal human being and not a tater like me, then you might want to skip this. Reports are that batches 2 & 3 may be better, but this batch isn’t  close enough to a fair price for even a mild recommendation. Knob Creek Limited Edition, 2001 (batch 1) is not recommended.

Blanton’s Single Barrel, Holiday Market selection

Maker: Buffalo Trace, Frankfort, Kentucky, USA (Age International)20170320_113501.jpg

Style: High corn straight bourbon

Age: NAS

Barrel 66, Rick 15

Proof: 93 (46.5% ABV)

Michigan state minimum: $60

Appearance: Light orange with long, thick legs.

Nose: Alcohol, oak, potpourri, burnt caramel, lavender, tarragon, dried orange peel.

Palate: Medium dry and full bodied. Creamy caramel, alcohol, bitter oak, orange push pop.

Finish: Raspberry chews, alcohol, roasted corn on the cob.

Parting words: Holiday Market in downtown Royal Oak Michigan (two miles or so north of the Detroit city limits) is a relative newcomer to the barrel selection business.  This is the first one I’ve reviewed. It’s a part of my new project of reviewing retailer selections to build up a list of who does it well and who doesn’t.

I have really enjoyed this one. The last Blanton’s I reviewed, way back in the halcyon days of 2011, was very leathery. There’s not nearly as much leather here (the Khloe legs are still present), just simple oak. This bottle has fruit that that Kahn’s bottle lacked, though. The result is a more balanced bourbon that is a pleasure to drink after dinner with some dark chocolate. At $60, Blanton’s is at the top of the AI/BT single barrel line. This barrel is worth the money, though. Blanton’s Single Barrel, Holiday Market selection is recommended.

Head to Head: Ray’s vs Red Wagon 1792 Single Barrel

20170120_101320.jpgMaker: Barton 1792, Bardstown, Kentucky, USA (Sazerac)

Age: NAS

Proof: 93.7

Michigan state minimum: $42

Ray= Selected by Ray (Rural Inn, Indianapolis, Indiana)

RW= Red Wagon (Troy, Michigan)

Appearance

Ray: Light copper

RW: Darker, medium copper.

Nose

Ray: Alcohol, grape bubblegum, leather.

RW: Over-toasted walnuts, cut grass, caramel.

Palate

Ray: Sweet and fruity, then burn. With water it becomes sweeter with more vanilla and less fruit.

RW: Caramel apple, oak, burn. Oakier with vanilla and classic old bourbon flavors when water is added.

Finish

Ray: Brown sugar, then burn. Water brings the fruit back out.

RW: A little chewy, then lingering warmth.

Parting words: The Sazerac corporation purchased the Barton-1792 distillery from Constellation brands in 2009. Their primary motivator may have been Barton’s tall airy warehouses but they were surely after 1792 Ridgemont Reserve as well. The brand started out as something of a Woodford Reserve ripoff (see here) but soon settled into its own niche as a decent selling upper-middle shelfer. Sazerac capitalized on that success and added a series of line extensions and opened up the single barrel expression for selections by retailers and enthusiast groups.

These two barrels are good examples of how much variation there can be, even in those breezy rickhouses. Ray’s was fresh and fruity while the Red Wagon barrel was chewy and mature. The Red Wagon barrel might be older, but it’s more likely that the oakiness came from being on a hot upper floor. I was able to taste Ray’s before I bought it, at an informal tasting at the Rural Inn around Thanksgiving. I bought the Red Wagon bottle blind, but I’ve enjoyed their selections before. If I had to pick one that I enjoyed more, it would be Ray’s but both are tasty, worth the money and worth seeking out. Both these 1792 Single Barrel selections are recommended.

Old Forester 1920

Maker: Brown-Forman, Louisville, Kentucky, USA20170106_195909.jpg

Age: NAS

Proof: 115 (57.5% ABV)

Michigan state minimum: $60

Appearance: Bright chestnut with a clingy robe.

Nose: Crushed walnut, bubblegum, caramel, allspice, dried Cayenne. With water the Cayenne turns to sweet cinnamon.

Palate: Medium bodied. Caramel on entry, then burn. Turns chewy and spicy with water.

Finish: Grape  bubblegum, alcohol. Water brings out the oak, but doesn’t turn down the heat.

Parting words: Old Forester 1920 is the third installment in the Old Forester Whiskey Row Series. The first, Old Forester 1870 (in honor of the founding of the company), was released in 2014, 1897 (in honor of the Bottled-in-Bond act) was released in 2015. This one, released in 2016, was named in honor of the fact that Brown-Forman was one of the handful of Kentucky distillers that received a license from the US government to distill spirits for medicinal purposes. So it was actually possible to get Old Forester during Prohibition, with a prescription. It is 115 proof, not because that was the proof at which OF was sold in those days but because that was a common proof at which Old Forester came out of the barrel at the time.

All three Old Forester Whiskey Row bourbons have been good. This one is the best. It is what we OF fans have been waiting for. It does an excellent job of balancing the spice and oak of older OF with the fruity roundness of younger OF. It does this without falling into the weird plastic aromas and unbalanced oak that can come into some of the Old Forester Birthday Bourbon vintages. 1920 is both elegantly balanced and powerful, like a JS Bach organ composition or a Brahms symphony. This is the Old Forester I had hoped B-F was capable of producing all these years but thought I would never see. Now all I can think about is the next installment. Single barrel? True barrel proof? Distillate of DSP KY 414, the old Old Forester plant? I can hardly wait. Old Forester 1920 is highly recommended.

Jim Beam Bonded

20161209_170242.jpgMaker: Jim Beam, Clermont/Boston, Kentucky, USA (Beam Suntory)

Age: 4 y/o (minimum)

Style: Bottled in bond bourbon (single season, single distiller, 100 proof, at least 4 years old)

Proof: 100 (50% ABV)

Michigan state minimum: $23

Appearance: Light copper.

Nose: Alcohol, oak, cut grass, fresh caramel corn.

Palate: Creme brulee, alcohol, tarragon.

Finish: Alcohol, creamed corn, burnt caramel.

Parting words: Bonded Beam was a staple of the Jim Beam line for decades, but was discontinued in the 1980s. Jim Beam Bonded was (re)released in 2015 at the demand of bartenders, according to Fred Noe. It has a touch of the grassy Beam Funk, but it doesn’t overwhelm. JB Bonded mixes well in everything from Coke to eggnog to Manhattans. It’s not particularly complex but it’s what one expects from a bond at this price. Speaking of price, now that Knob Creek has dropped its age statement, it might be worth looking at JB Bonded for your sipping needs if KC’s price (currently at $37 in Michigan) goes up any more. Jim Beam bonded is a good choice to work into your middle shelf mixer rotation. It is recommended.

A Visit to Round Barn

Once a summer, our family has what we call Grandparent Camp. We send our daughter to Indianapolis for a week to spend time with the grandparents, all four of them. When we were thinking about what to do that week, returning to Lake Michigan Shore wine country was on the top of the list. The wrinkle was that we would have the baby with us, since he’s still too little for Grandparent Camp. As most parents can tell you, taking a baby along on trips is actually much easier than taking a toddler or an older child, though. The baby doesn’t complain about getting bored or knock over shelves or have temper tantrums. If the baby cries changing the diaper or feeding will usually do the trick.

Anyway, we wanted to visit some new places but also hit some old favorites in our limited two-night stay. On the way over, we stopped at Lawton Ridge in Kalamazoo for a tasty crepe supper and some wine tasting. The whites were good as was the service. Friendly, homey, neighborhood type place. The next day (Thursday) was our busy day. We started off with a visit to Fenn Valley in Fennville (north of the cluster of wineries around Baroda but worth the trip), got lunch at Crane’s Pie Pantry (good pie and cider but mediocre food otherwise) and then headed back south stopping at old favorites Domaine Berrien (great as always), neighboring Lemon Creek (cozy tasting room) and newbies Dablon with their beautiful hilltop tasting room.

I had wanted to do a “A Visit To…” profile on one of the LMS wineries and I thought Round

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The round barn

Barn would be the perfect choice. I had a nice conversation with winemaker Matt and then Brand Ambassador Bethany of Round Barn/Free Run Cellars at the Michigan Wine Showcase so I thought I’d send Bethany and email and ask if she’d be available to give us a tour for blogging purposes. A man named RJ replied that Bethany was no longer brand ambassador, but he was now and he’d be able to give us a tour. Unfortunately, he ended up having a conflict himself, and we got our tour from veteran tour guide Jessica.

Round Barn opened as a winery in 1992. It was founded by Rick Moersch, who was winemaker at nearby Tabor Hill at the time. He had owned vineyards since 1981, so he used them as the basis for his own winery which he named Heart of the Vineyard. In 1997 the round barn was purchased and moved from Rochester, Indiana to the property where it was reassembled by Amish builders. Rick intended it to serve as a home for a brandy distillery. In 2004 the winery was renamed after the remarkable building. The spirits and brewing program began then as well.

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Tasting bar

We arrived at Round Barn shortly after opening. The place has changed quite a bit since our first visit several years ago. When we last visited, the eponymous round barn was used for production and the tasting room was in the other barn. The round one has been beautifully remodeled and now serves as the tasting room. The bar runs in a circle around the interior with bottles on the wall opposite. The second level has another bar

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Bottles

and six compartments for small group tastings. The group tastings are a popular bachelorette party activity according to Jessica.

Our tasting was on ground level and went through the usual tasting procedure with a few add ons. The system has been in use since mid May. You can see the tasting menu and the format they use in the photo. The menu changes wp-1470317891964.jpgmonthly. Nothing we tasted was bad, but the standouts were Vineyard Tears (dry Riesling/Pinot Gris/Chardonnay blend), Albariño (American, but estate grown grapes are in the mix), estate Merlot (we had a lot of  Merlot on this trip!), Cabernet Sauvignon Reserve (also estate). Farm Market Blueberry and the wine-based Black Walnut Crème were standouts in the dessert arena (also the name of my new gameshow). When I mentioned that I wanted to try the Farm Market Blueberry, Jessica and had a short discussion about fruit wines. We agreed that fruit wines are really their own category that shouldn’t be judged by the standards of wine grape wines.* As I put it, it would be silly to say that a Chardonnay was bad because it lacked hop character. It’s just as silly to dismiss fruit wines for tasting too much like fruit. That’s entirely the point.

According to another employee, Round Barn has eighteen acres of vines, plus an additional four used for Free Run cellars (see below). Another two acres are used for something else, but I forgot to write it down in my notes (fruit maybe?). The vineyards didn’t suffer much damage in the polar vortex, according to Jessica. The only losses were their black currants, which I thought were illegal in Michigan, but can be grown with a special license.

We also tasted their spirits. The rum and agave spirit (distilled from imported agave juice) are both unaged and of mixer quality (as you can see above, those spirits are offered in cocktail form in the tastings). The real standout was the bourbon which is a very pleasant surprise. It is of limited production and will be reviewed in the near future. They also produce an aged brandy and a “grappa” but those are under the Free Run label and not currently offered for sale at the Round Barn tasting room. They are available at the Public House (see below). According to Jessica, there are no plans to produce an aged rum or agave spirit. There is also a blended American Whiskey on the menu that is a blend of rye and bourbon, according to RJ. I did not taste it. An Applejack is in the works too, made using locally grown apples.

Round Barn’s best known spirit is DeVine Vodka, made from grapes. As I’ve ranted about on Twitter a few times, I don’t understand the desire to take perfectly good fruit like grapes or apples and turn them into a spirit that is by nature flavorless. It’s always seemed like a waste, but as the saying goes, you can’t argue with success and DeVine Vodka has been a success. They recently followed up the success of DeVine with 269 Gin, named after their area code. It’s a basket infused gin made using the grape spirit used for the vodka and will be reviewed in the future as well.

After touring the upstairs, Jessica led us through a beautiful courtyard to the not-

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Beer Menu

roundbarn (built in 1907 on the property), now christened the Round Barn. Upstairs is a smallish bar and gift shop with seven Round Barn beers on tap and all their spirits behind the bar. It’s a decent size space with a good sized deck attached. It seems like it would have a good flow of people between the two spaces when busy (and warm). We tried a sample of Vanilla ‘Stache, a vanilla porter, there. The vanilla comes through but in a subdued way. I liked it.

The next stop was the production facility. It’s a non-descript industrial building set several yards away from the barns. It houses the winemaking equipment, automated bottling line, still and oak barrels, (all French for the wine). Since 2014, all brewing has been located adjacent to the Round Barn Public House in downtown Baroda (such as it is). That was our next stop. RJ’s meeting was over so he was able to meet us there.

The Public House is a red building with a bar and a large seating area and a large covered patio. It once served as a tool and die shop, owned by RJ’s father, as a matter of fact. The food is limited but good. Sandwiches mostly. Our lunch (RJ comped us for this) was good. They exclusively serve their own beer and spirits. With my lunch (turkey Bahn Mi and a cup of chili) I ordered a pint of Escaped Goat, the Hef PA. It was good. I told RJ that I was a fan of wheats, so brought me a couple samples of their current wheats (Vacation wheat ale and Straw Beery Strawberry wheat ale, both good) plus a couple experiments. The first experiment was a Saison they had been working on. It was good, but was not as flavorful as I had hoped. The second was a dry, tannic cider with Balaton cherry juice added. It was really intriguing. The result was closer to a sour beer than a fruit cider. It was not ready for prime time, but it had a lot of potential that I hope is realized soon!

The one aspect of Round Barn’s business that we didn’t get to see was Free Run Cellars. Free Run is a multifaceted project. The name comes from the juice produced from the initial pressing of the wine, called free run juice, but also from the Rick’s sons (Matt and Christian) being given “free run” in the Round Barn Cellars. All the wines under the Free Run label are from free run juice (appropriately), and are single vineyard, estate wines. Free Run also has its own facility (opening later this month) that will host four wine, four appetizer pairing tastings with an emphasis on locally sourced ingredients.

Many businesses that try to do a lot of different things end up letting their ambition getting the best of them. They are mediocre at everything instead of being good at one or two things. Round Barn does not fall into this trap. Some products are better than others, obviously, and wine is what they do best, but their beers and spirits were good too, some of them very good. If anything maybe they to be more ambitious with their beers and spirits. An aged rum could be very good. Ramping up their production of brandy might be a good idea as well. Bourbon is hot right now, but rum is also popular and getting more so. Brandy is on the way up as well. Copper & Kings in Kentucky is getting a lot of attention for bottling and selling Michigan-made brandy. Michigan producers need to be getting that attention.

Beautiful grounds, well run facilities and delicious products. Round Barn does it all and does it well. A visit to Round Barn is highly recommended.

Note: I received a free lunch at the Public House and a 25% media discount on purchases on this visit.

*”Wine grape wines” may seem redundant but the phrasing is intentional. In my opinion, wine made from grapes like Concord, Niagara or table grape varieties belongs in the “fruit wine” category. While they are grapes, they are not grown for the express purpose of winemaking. The line gets fuzzy when it comes to some native North American grapes like Muscadine that are eaten as fruit but also have a long history of being made into wine. Maybe this discussion would make a good My Two Ounces post.